Bringing an oratorio to the opera or ballet stage is a daunting task, calling for an assured vision and a deep musical understanding—but it can be done, as the widely lauded productions of Bach’s Passions by Peter Sellars and Simon Rattle demonstrated not long ago. Verdi’s Messa da Requiem, the most “operatic” of masses and perhaps the composer’s crowning achievement, leapt to the stage for the first time in this extraordinary setting out of Zurich, meeting with universal acclaim from audiences and critics—with Bachtrack describing it as “a true pioneer, one highly deserving of the thunderous applause and standing ovation it received.”
Read moreWiener Philharmoniker
With Zarina Abaeva, Eve-Maud Hubeaux, Dmytro P...