The book bears the marks of Marenzio's pastoral influence, and Luzzaschi's dissonant writing style; this is evident with Baci soavi e cari, composed after a poem by Guarini. One of the best-known pieces from the book is, with no doubt, The vaga pastorella, which opens on a series of jumps describing the shepherdess in a field, before the music slides into introspection. Here as elsewhere, joy alternates with the tears: in Filli cara ed amata, the exclamation Ahi! ("alas!") results in a few bars of strong dissonances.

This concert opened the complete Monteverdi Madrigals series performed by Les Arts Florissants conducted by Paul Agnew at the Cité de la Musique, the théâtre de Caen and the Valladolid Centro Cultural Miguel Delibes.

Les Arts Florissants are supported by the Ministry of Culture and Communication, la Ville de Caen and the Région Basse-Normandie. They are in residency at the théâtre de Caen. Imerys is the great benefactor of Les Arts Florissants.