The final work of Igor Stravinsky’s “neoclassical” period before he sought reinvention in serialism, The Rake’s Progress sees the Russian master looking to Mozart for stylistic and figural inspiration without straying far from his characteristically ambiguous sense of tonality. Inspired by a series of 18th-century engravings by William Hogarth, and with a libretto by the great W.H. Auden (introduced to the composer by none other than Aldous Huxley) and Chester Kallman, the opera traces the precipitous rise and Faustian fall from grace of Tom Rakewell, who abandons his fiancée Anne Trulove for a life of libertinage when he hires a mysterious servant who may yet end up master…
Read moreLucerne Festival 2014