The first half of the program features works by members of the Second Viennese School—led by Berg, Schoenberg, and Webern—who devoted their energies to breaking the conventions of Romanticism. Webern's Six Orchestral Pieces, Op. 6 and selections from Berg's opera Wozzeck make for an absolutely electrifying beginning to the evening. Next, Soprano Barbara Hannigan gives an unsurpassed interpretation of Second Viennese School inheritor Ligeti’s Mysteries of the Macabre (selections for soprano and orchestra of his opera Le Grand Macabre, written in 1978 and then reworked over the course of the following two decades). The program culminates by transporting the audience back in time to Paris of 1913: the city is in an uproar after the premiere of Stravinsky's Rite of Spring. Orchestral music like that had never been experienced before: violent rhythms, primal melodies, unheard-of timbres and daring harmonic treatments (described as cacophony!) completely surpassed the limits of the symphonic language of Stravinsky’s contemporaries. Be sure to catch this evening full of surprises and world-class artistry!
George Benjamin (music), Martin Crimp (text) — ...
Schoenberg / Wittgenstein