With her broad and varied repertoire, carefully chosen and never conformist, Martha Argerich has dominated the piano world since the 1960s. Endowed with a phenomenal technique, she has been able to put her personal stamp on the most demanding works in the repertoire, from Liszt to Prokofiev, and at the same time draw out all the keyboard colour for the musical worlds of Ravel and Messiaen. An impassioned and instinctively collaborative musician, she has increasingly focused less on solo recitals and more on chamber music and concertos, in fruitful partnerships with violinist Gidon Kremer and conductor Charles Dutoit.
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