Гектор Берлиоз

Hector Berlioz's orchestral modernity

He acquired a reputation as literary critic through his talented writing, independent and fighting spirit; it took some time, however, before Hector Berlioz the was to gain recognition as a composer. His operas were failures and the public remained perplexed when faced with the novelty of his works. As early as 1830, the unfailing success of his eternal Symphonie Fantastique announced a new approach to orchestration. His music is structured like his autobiography and reflects his stormy love affairs, devouring passions and immense despair.

Berlioz's legacy

A truly modern composer, Hector Berlioz wrote essays to establish his orchestral discoveries. For him, instruments became individuals. He meticulously analysed and detailed the tones and possibilities of an orchestra. The Damnation of Faust (1846), The Childhood of Christ (1854) and Romeo and Juliette (1839) bear witness to this extraordinary temperament admired by Franz Liszt who never ceased to play his works at Weimar. The emblematic Romantic figure of Berlioz, exhausted, worn down by sorrow, bitterness and illness, died in 1868 aged sixty-six.